shakespeare's plays

                         shakespeare's plays

 Antony and Cleopatra (1606-1607)
The story of Mark Antony, Roman military leader and triumvir, who is madly in love with Cleopatra, Queen of Egypt. 

 Coriolanus (1607-1608)
The last of Shakespeare's great political tragedies, chronicling the life of the mighty warrior Caius Marcius Coriolanus.

 Hamlet (1600-1601)
Since its first recorded production, Hamlet has engrossed playgoers, thrilled readers, and challenged actors more so than any other play in the Western canon. No other single work of fiction has produced more commonly used expressions. 

 Julius Caesar (1599-1600)
Although there were earlier Elizabethan plays on the subject of Julius Caesar and his turbulent rule, Shakespeare's penetrating study of political life in ancient Rome is the only version to recount the demise of Brutus and the other conspirators. 

 King Lear (1605-1606)
The story of King Lear, an aging monarch who decides to divide his kingdom amongst his three daughters, according to which one recites the best declaration of love.

 Macbeth (1605-1606)
Macbeth is one of Shakespeare's most stimulating and popular dramas. Renaissance records of Shakespeare's plays in performance are scarce, but a detailed account of an original production of Macbeth has survived, thanks toDr. Simon Forman.

 Othello (1604-1605)
Othello, a valiant Moorish general in the service of Venice, falls prey to the devious schemes of his false friend, Iago.

 Romeo and Juliet (1594-1595)
Celebrated for the radiance of its lyric poetry, Romeo and Juliet was tremendously popular from its first performance. The sweet whispers shared by young Tudor lovers throughout the realm were often referred to as "naught but pure Romeo and Juliet."

 Timon of Athens (1607-1608)
Written late in Shakespeare's career, Timon of Athens is criticized as an underdeveloped tragedy, likely co-written by George Wilkins or Cyril Tourneur. Read the play and see if you agree.

 Titus Andronicus (1593-1594)
A sordid tale of revenge and political turmoil, overflowing with bloodshed and unthinkable brutality. The play was not printed with Shakespeare credited as author during his lifetime, and critics are divided between whether it is the product of another dramatist or simply Shakespeare's underdeveloped first attempt at the genre. 

 All's Well That Ends Well (1602-1603)
Modern scholars contend that this is a problem play, due primarily to the character Helena and her ambiguous nature. Is she a virtuous lady or a crafty temptress?

 As You Like It (1599-1600)
As You Like It is considered by many to be one of Shakespeare's greatest comedies, and the heroine, Rosalind, is praised as one of his most inspiring characters.

 The Comedy of Errors (1592-1593)
This is Shakespeare's shortest play, which he based onMenaechmi by Plautus.

 Cymbeline (1609-1610)
This play, modeled after Boccaccio's Decameron, is often classified as a romance. It features the beautiful Imogen, considered by many to be Shakespeare's most admirable female character.

 Love's Labours Lost (1594-1595)
Love's Labours Lost fell out of favour for many years, criticized by scholars as muddled and confusing. But the play is making a comeback, and Kenneth Branagh's version has helped it along.

 Measure for Measure (1604-1605)
Considered a "dark" comedy, Measure for Measure was inspired by Cinthio's Epitia and Whetstone's Promos and Cassandra.

 The Merry Wives of Windsor (1600-1601)
The Merry Wives is unique amongst Shakespeare's plays because it is set in Shakespeare's England. It features the Bard's beloved character, Falstaff.

 The Merchant of Venice (1596-1597)
The character of Shylock has raised a debate over whether the play should be condemned as anti-Semitic, and this controversy has overshadowed many other aspects of the play.

 A Midsummer Night's Dream (1595-1596)
A magical exploration of the mysteries of love, and one of Shakespeare's best-known comedies.

 Much Ado About Nothing (1598-1599)
The story of two very different sets of lovers, Beatrice and Benedick and Claudio and Hero. The witty banter between Beatrice and Benedick is the highlight of the play.

 Pericles, Prince of Tyre (1608-1609)
Portions of Pericles are ripe with imagery and symbolism but the first three acts and scenes v and vi (the notorious brothel scenes) of Act IV are considered inadequate and likely the work of two other dramatists. The play was not included in the First Folio of 1623. In Shakespeare's sources, Pericles is named Apollonius.

 The Taming of the Shrew (1593-1594)
The Taming of the Shrew revolves around the troubled relationship between Katharina and her suitor, Petruchio, who is determined to mold Katharina into a suitable wife.

 The Tempest (1611-1612)
Hailed as a stunning climax to the career of England’s favorite dramatist, The Tempest is a play praising the glories of reconciliation and forgiveness. Some believe that Prospero’s final speeches signify Shakespeare’s personal adieu from the stage.

 Troilus and Cressida (1601-1602)
Troilus and Cressida is difficult to categorize because it lacks elements vital to both comedies and tragedies. But, for now, it is classified as a comedy.

 Twelfth Night (1599-1600)
Shakespeare loved to use the device of mistaken identity, and nowhere does he use this convention more skillfully than in Twelfth Night.

 Two Gentlemen of Verona (1594-1595)
The tale of two friends who travel to Milan and learn about the chaotic world of courting.

 The Winter's Tale (1610-1611)
The Winter's Tale is considered a romantic comedy, but tragic elements are woven throughout the play. We have a first-hand account of a production of the play at the Globe in 1611. It is one of Shakespeare's final plays. 


reference:
http://www.shakespeare-online.com